C s in the music, writers of melody and orchestration writers. The melody, like Mozart, develop a continuous chanting tenuous, but powerful attraction. His verses, for example, are labile units, but sustained by a sublime melodic cadence. For example, Fray Luis. On the other side are those who build a total composition of deep harmonies and contradictory, as Beethoven. They are poets who in all his work reveal an aspiration complete, more eternal, absolutely established by the abyss. Behold JRR or Rilke.
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